top of page
Dutch singer-songwriter Tamara van Esch creates eclectic indie folk in the spirit of This Is the Kit and Mitski: intimate, dreamy, and gently idiosyncratic. In her fragile yet sometimes sharply observant lyrics, she discovers the extraordinary in the mundane. Previously, on Tussen Lagen, she moved with hopeful stories based on interviews with psychologically vulnerable people, warmly enveloped in poetic melodies and subtle instrumentation.
With her upcoming album, "Gracie," Tamara is once again pushing boundaries. Gracie, her 200-year-old alter ego, transports you to the year 2045; a future where humans and robots live in harmony, identities shift due to digitalization, and immortality is no longer science fiction. Musically, the album moves between alternative indie, minimalist electronics, and cinematic soundscapes, creating a world that feels simultaneously futuristic and deeply human.
Her music is released internationally (including in Japan, Germany, and the UK) and has already taken her to stages across Europe, Japan, and Cyprus. With this new work, she confirms her place as one of the most imaginative voices in Dutch indie music.

Dutch singer-songwriter Tamara van Esch creates eclectic indie folk in the spirit of This Is the Kit and Mitski: intimate, dreamy, and gently idiosyncratic. In her fragile yet sometimes sharply observant lyrics, she discovers the extraordinary in the mundane. Previously, on Tussen Lagen, she moved with hopeful stories based on interviews with psychologically vulnerable people, warmly enveloped in poetic melodies and subtle instrumentation.
With her upcoming album, "Gracie," Tamara is once again pushing boundaries. Gracie, her 200-year-old alter ego, transports you to the year 2045; a future where humans and robots live in harmony, identities shift due to digitalization, and immortality is no longer science fiction. Musically, the album moves between alternative indie, minimalist electronics, and cinematic soundscapes, creating a world that feels simultaneously futuristic and deeply human.
Her music is released internationally (including in Japan, Germany, and the UK) and has already taken her to stages across Europe, Japan, and Cyprus. With this new work, she confirms her place as one of the most imaginative voices in Dutch indie music.
bottom of page