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Doodsekader clearly hasn't had nearly enough of pushing boundaries, and they've only just begun. The Belgians Tim De Gieter and Sigfried Burroughs returned on April 3, 2026, with their third studio album, 'The Change Is Me', a rollercoaster best described as the unstable love child of witchhouse, hip-hop, industrial dream pop, and stadium rock, unable to decide whether to watch the world go up in flames or scream from the rooftops that we must save it. Their combination of grungy '90s melodies with distorted synthesizers, dragging bass lines, raw vocals, rap, singing, and explosions of pure rage about the current state of the world. 'The Change Is Me' is an album that grabs you by the arm and asks if you are ready for a grand adventure, only to drag you into the chaos before you can say 'yes' or 'no'.

Doodsekader clearly hasn't had nearly enough of pushing boundaries, and they've only just begun. The Belgians Tim De Gieter and Sigfried Burroughs returned on April 3, 2026, with their third studio album, 'The Change Is Me', a rollercoaster best described as the unstable love child of witchhouse, hip-hop, industrial dream pop, and stadium rock, unable to decide whether to watch the world go up in flames or scream from the rooftops that we must save it. Their combination of grungy '90s melodies with distorted synthesizers, dragging bass lines, raw vocals, rap, singing, and explosions of pure rage about the current state of the world. 'The Change Is Me' is an album that grabs you by the arm and asks if you are ready for a grand adventure, only to drag you into the chaos before you can say 'yes' or 'no'.
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